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關(guān)鍵詞：鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965 epochal seem people few what but
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
《镜子的另一面：纽波特民歌艺术节1963~1965》常見問題1、請問哪個平臺可以免費在線觀看《镜子的另一面：纽波特民歌艺术节1963~1965》?
嫩草影院 | 鲁大师影院在线观看 - 秋霞影视 , 可可影视 | 808影视电视剧免费看 - 三义影视 , 星辰影视 | 悟空影视大全免费影视網(wǎng)友：在線觀看地址：http:///vodplay/49072-1-1.html
2、《镜子的另一面：纽波特民歌艺术节1963~1965》哪些演員主演的？
網(wǎng)友：主演有Bob Dylan , Joan Baez , Judy Collins
3、《镜子的另一面：纽波特民歌艺术节1963~1965》是什么時候上映/什么時候開播的？
網(wǎng)友：0年，詳細日期也可以去百度百科查詢。
4、《镜子的另一面：纽波特民歌艺术节1963~1965》如果播放卡頓怎么辦？
百度貼吧網(wǎng)友：播放頁面卡頓可以刷新網(wǎng)頁或者更換播放源。
5、手機版免費在線點播《镜子的另一面：纽波特民歌艺术节1963~1965》哪些網(wǎng)站還有資源？
網(wǎng)友：芒果TV、愛奇藝、優(yōu)酷視頻百度視頻
6、《镜子的另一面：纽波特民歌艺术节1963~1965》的評價：
Mtime時光網(wǎng)網(wǎng)友：比第一部好看，劇情不磨嘰了，主要角色不拖后腿。第一次看到镜子的另一面：纽波特民歌艺术节1963~1965直接就愛了。镜子的另一面：纽波特民歌艺术节1963~1965劇情懂得揚長避短，讓聲音做主角。省去沒人想看的廢話，省去沒人想看的感情戲，一切以場景為中心來設(shè)計，而每個場景又都以聲音為中心，咋呼、輕響、寂靜形成節(jié)奏，然后一秒鐘不多待就出字幕。很少有音效師能感覺自己這么核心吧？
百度視頻網(wǎng)友:電影前的回憶閃回讓觀眾們完美過渡 沒看過前作的朋友也毫無壓力 相比第一部演員有所升級
豆瓣電影網(wǎng)友：《镜子的另一面：纽波特民歌艺术节1963~1965》感太割裂了，一邊頻頻被視覺設(shè)計上的創(chuàng)意驚艷到，一邊又不知道導演在吃力地表達什么！首先要說明一點，拋開所有片外因素，這部片子我看得很爽。
镜子的另一面：纽波特民歌艺术节1963~1965影片的精彩影評
他的家(??)庭作業(yè)。霍老爺(??)子說，又是電腦(??)，又是我(??)看不懂的題目(??)，我可沒(??)辦法給他輔導(??)。